Friday, October 14, 2016

The Stage feminine 
 
-Vinod Vaisakhi 
 tr  by  gita janaki
 
 Light embellished body art, Dimples that hides away merriment in vortices like ant lions. 
Gleaming body of fine craftsmanship. 
The creeper all abloom in joyous symphony. 
 
Oh! “Though art a nymph, my Desdemona.” Umpteen measures of beauty as alluded to by Sambasivan in his story telling. “Put out the light, then put out the light” Love intense played peekaboo. 
 
On stage, Like a gleaming bird of lightning stands Subhadra. 
Sharp beak. 
Severed in treachery. The one who cast away her eyes Into the infernal city. Lalithambika, 
The one who spewed Shrapnels of words. With fire as witness, (Agnisakshi) Cobwebs, parasols hiding feminity.(marakkuda) Nasty past, 
Shattered mirrors of traditions, 
Shoddy prisons. 
The struggle of language. Thathrikkutty, who severed the Holy knot of hair,
inhaling the vicious smoke from pen. Thatri, 
much shrewd a woman. 
 
 
“Music, is a rebellion of sound) The girls who, along with Noorjahan passed into oblivion, recites ragi.. 
 
Mujra singers, huddles into their hands The street soul, devoid of noises. 
“Death Oh! Death
 How strugglest thee in time of your death? The boughs, reigning chieftains, Decree suicide notes to females. In the womb, my strong child you should take shape. 
 
The street has become A huge tea cup.
 A tattered banana skin cries hunger ,
 
in trash bins, coloured red, green, blue. The Holy Cow ,
 a razor sharp knife, Serves dinner to death, in the street.
 
 A storm rises from the tea cup.